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This puts him ahead of Frank Sinatra, Paul Simon and Stevie Wonder, who each won the honor three times.
“For me, the award is about the work itself,” she said. “All I want to do is keep doing it.”
And she will (more on that later). Swift was the last example of an action-packed show where women won the biggest honors and had the majority of the most memorable performances. Miley Cyrus belted out “Flowers,” which won record of the year. Billie Eilish’s “Barbie” ballad “What Was I Made For?” became the song of the year for her and her co-writer, her brother Finneas O’Connell. Singer-songwriter Victoria Mone was named best new artist.
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Despite winning three Grammy Awards, the rock supergroup Voygenious, which included Julian Baker, Phoebe Bridgers and Lucy Dacus, was so rich that they couldn’t even appear on the CBS portion of the show.
The show’s first ever award for best pop vocal solo performance (all five nominees were women) was a sage hint of things to come.
It was spine-tingling to see the reclusive Tracy Chapman duet with country singer Luke Combs, who had a huge hit this summer with his cover of “Fast Car.” In the lead-up to the pre-recorded song, Combs eloquently expressed what the song meant to him as a child. As he played the 1988 song’s haunting guitar riff and the audience roared, Chapman’s eyes lit up, clearly moved. She wasn’t left in the background while Combs took the song to a new generation and chose a wise place to resurface.
Not to negate more elaborately staged incidents, but Cyrus’ performance of “Flowers” had a certain power to it. Essentially, it was just her and her songs. There was no question that she could do it, and even threw in a few ad-libs: “I just won my first Grammy!” Her acceptance speech was full of personality. “I don’t think anyone has forgotten,” she said after completing her list of necessary gratitudes. “But I might have forgotten her underwear.”
By winning the Dr. Dre Global Impact Award, Jay-Z proved he has a long memory. He recalled a time when rap artists were outspoken about not getting enough attention from the Grammys for their music sales, even boycotting the show, but added, “I went to the hotel to see it,” he said. “It wasn’t much of a boycott.” Jay-Z says it’s unfair that he’s never won Album of the Year even though his wife Beyoncé has won 32 Grammys. I believe. “When I’m nervous, I tell the truth,” he said.
Joni Mitchell’s return to the stage earned her a Grammy Award, and her performance Sunday was another emotional highlight. Surrounded by musical pals including Brandi Carlile, Ms. Mitchell, 80, sat in a throne-like easy chair and sang “Both Sides Now” while tapping her cane. Her voice, which she had to recover after suffering a brain aneurysm, brought her richness and perspective to the song that was only hinted at in the original. Like Chapman, she was visibly moved by the audience’s reception, and after the performance she was betrayed by laughter.
Let’s be honest, the “eulogies” to those who have died over the past year usually indicate it’s time for a bathroom break. That’s not the case here. Stevie Wonder pays tribute to Tony Bennett with a chilling ‘duet’ of Bennett and Wonder’s ‘For Once in My Life’, which was filmed, and then goes on to sing Bennett’s ‘The Best Is’・I sang “Yet to Come.” Annie Lennox paid tribute to Sinead O’Connor by singing “Nothing Compares 2 U” with two of the late Prince’s accompanists. And Fantasia Barrino shook the walls with “Proud Mary” in honor of Tina Turner.
There’s no doubt that the Grammys were meant to be a big hit with Billy Joel’s performance of his first new song in 30 years, “Turn the Lights Back On.” But the three hours leading up to the Grammys were a tough act to top.
To the average person, stardom can sometimes seem to come suddenly, but Monet and SZA were a fascinating reminder of all the hard work and dreams that went into achieving success. After expressing his innocent gratitude to “tonight’s champagne servers,” Monet talked about the 15-year journey he took to win the Best Newcomer Award. “My roots have been growing under the ground for a long time, but today I feel like they’re sprouting,” she said. There was a brief pause before SZA won Best R&B Song as she changed backstage. But she was overwhelmed, remembering when Lizzo was presented with the trophy 10 years ago, when they played a show at a small club. As her tears flowed, she hurried off the stage. “I’m not a charming crybaby,” she said.
Yes, we understand that artists are always on the lookout to promote their work. But when Swift took the time to accept her award and announced that her new album would be released in April and said she would share the cover art on social media, it felt…cheesy. In the news, I knew that much of what was happening would be overshadowed, as if they had hijacked the event for their own purposes. Coming from a concert at their Las Vegas residency, U2 felt like they were promoting an arena rather than their own work in a blinding glare. Her two unforgettable moments with two big stars.
Kudos to Trevor Noah for his work as a host. His enthusiasm for the world of music may seem puppyish, but it’s better than an insult comic or an ironist. Starting the show from the arena floor and walking around pointing out the stars, Noah built a spirit in those there and at home alike. He also made some good points, such as when he pointed out that Universal Music was removing artists from TikTok. “It’s such a shame to fool all the artists,” he said. “Shame on you. That’s Spotify’s job,” he says when she walks into her room because Swift arrives late. Lionel Richie becomes Lionel Wealthy. ”
Copyright 2024 Associated Press. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.
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