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‘Material reality’: German photographer Wolfgang Tillmans’ unedited worldview on display at Hong Kong show

thedailyposting.comBy thedailyposting.comMarch 31, 2024No Comments

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Six years after his first solo exhibition in Hong Kong, photographer Wolfgang Tillmans recently returned to Hong Kong with unfiltered, unedited photographs.

55-year-old German-born artist David Zwirner’s second solo exhibition in Hong Kong, “The Point Is Matter,” features 80 works ranging from images taken in the mid-1990s to more recent images taken in Hong Kong and Hong Kong. It consists of more than one piece. Shenzhen, southern China.

In addition to video installations, 4 videos of Build from Here; Electronic music from Tillmans’ upcoming second album plays and dominates one of the gallery rooms. Build from here‘ will be released on April 26th.

The visuals are captivating. One clip zooms in on the inner workings of an industrial offset printing press from various angles, and his other clip shows the moon rising over a dark ocean as the artist’s silhouette moves toward its shimmering reflection. The image is captured in the frame. In another scene, the moon glides across the screen.

Artist Wolfgang Tillmans stands in front of the four videos in the video installation “Build From Here” at David Zwirner in Central, Hong Kong.Photo: Jonathan Wong

Tillmans, who became the first photographer and non-British artist to win Britain’s prestigious Turner Prize in 2000, says he is obsessed with astronomy and the vastness of the universe. This video captured the moon’s movement in real time as seen through a telescope.

The first time he looked through a telescope was when he was 12 years old.

“The Open Window” (2023) by Wolfgang Tillmans.Photo: David Zwirner

“When I was a teenager, I tried all kinds of forms of expression, such as drawing, making music, painting, and making clothes, but when I was 20, I bought a camera.” He says he discovered diverse possibilities, which became the “source” of all his art.

“[Some images] Sometimes it’s a pictorial discourse, sometimes it’s a documentary,” he says, referring to the famous chronicle of the liberating hedonism of nightclubs and youth subcultures in the 1980s and 1990s. say. There may also be pure research into color, nature, and abstraction.

“It’s all based on real-world research,” he added. At the same time, he was always interested in how lenses can show a different reality than what is seen with the naked eye.

Sirius through a focused telescope, f (2023), by Wolfgang Tillmans.Photo: David Zwirner

When he was a teenager, he was already using a photocopy machine to distort photos he took with borrowed cameras and images he found. In his 2023 series “Sirius Through a Defocused Telescope,” six of his inkjet prints depict the brightest stars in the night sky with a sparkling rainbow around them.

They were photographed using a setup that slightly refracts the light rays from the star, Tillmans explains. “There’s no colorization or digital manipulation here. It’s a natural light record.”

“I want my photos to have a certain credibility as evidence,” he says, joking that he’s probably the only photographer who doesn’t know how to use Photoshop.

Badehose, Photocopy II (1994), by Wolfgang Tillmans.Photo: David Zwirner

Although he started using digital cameras in 2009, he says the way he creates images hasn’t changed much. “My photography has always been simple in a way. Ever since I started 30 years ago, I have always wanted my paintings to look simple.”

However, there is nothing random in his image. He says these reflect his understanding of the world and his recognition that information lies beyond the materiality and surface of things. The point of “The Point is Matter” is to look beyond the seemingly casual prints pinned or taped to the wall.

“What runs through this exhibition is a deep interest in things.

Artist Wolfgang Tillmans stands in front of the photograph “HKG Airport Interior” (2023), which shows a malfunctioning screen at Hong Kong International Airport. He considered it a genuine moment that should be preserved.Photo: Mustafa Abdulaziz

“In today’s world, we are always living in the past as well as the future. We are projecting. We are editing. We are looking at pictures of things. But in reality “Things, this shirt, this branch, this leaf, this roadside, this sea surface, these are the material realities of our lives, and I look at them with great curiosity,” he says.

Inside Hong Kong International Airport (2023) is a good example of this curious lens. We’re highlighting a glitch with screens at Hong Kong International Airport, drawing attention to a technical glitch that most people would otherwise miss. But for Tillmans, it was a fleeting moment of authenticity.

His ability to transform ordinary objects into captivating images Ulaanbaatar still life (2023) and window left open (2023), Still life of plants and windows in the study of light and shadow.

“Ulaanbaatar Still Life” (2023) by Wolfgang Tillmans is an example of a photographer turning the mundane into a fascinating image.Photo: David Zwirner

“I think a lot and I read newspapers and all kinds of publications all the time. But I also really like to take a break from things and accept what life is giving me right now. Life is infinitely more interesting.”

“Wolfgang Tillmans: The Point is Matter,” David Zwirner, 5-6/F, H Queen’s, 80 Queen’s Road Central, Tuesday-Saturday, 11 a.m.-7 p.m. Until May 11th.

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