Art and Ancestry – Lifestyle News

Growing up in Darwin, Australia, Sarita King and her sisters often listened to their father describe the paintings unfolding on the canvas in front of them. King’s father told his children about the elements of nature, the red flames and deep blues of the water he was painting, and how similar the bark of a tree and the leather of a purse were.

“My father said that all humans who sit around a fire feel the energy of the elements of nature, just like our ancestors who had the exact same feeling sitting around a fire. These elements always connect us with the past and hold on to the future,” says renowned Australian artist King, recalling the influence of Indigenous culture on his work. Masu. “My father was a storyteller at heart, and storytelling through my art is all about connecting with myself and feeling my culture coming through me on the canvas,” Darwin said. added King, an Indigenous artist based in .

Part of Modern Tribal—Connecting Traditions, an exhibition of work by Australian Aboriginal artists and Indian tribal artists.Dr. King’s paintings, which opened on January 28 at Bikaner House in the capital on the sidelines of the India Art Fair, exude a depth that shows the several layers that connect the modern world and ancient culture. “For me, it reflects that even though our ancestors have passed away, their past still influences us and the decisions we make for tomorrow.” says the Adelaide-born king, whose father is one of them. He is from the Gurunji people of the Northern Territory.

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Three of King’s works on display in the exhibition, along with 10 other Australian Indigenous artworks on display in the exhibition, reflect the land they bring to life. Different aspects of the Australian landscape. In one of her paintings, what looks like lightning crackling across the earth is painted in acrylic on linen titled “Ngurra,” meaning her home or place of belonging. “I think art is a great spotlight on the beauty of that culture and the long journey of our culture. “We’re showing what we know: we can be the dominant voices that Indigenous Australians need,” she added.

Chandrakari Pushham, a Gond artist from Madhya Pradesh, is one of the Indian tribal artists included in the exhibition who echoes the connection that art brings to understanding culture and tradition. “I learned Gond art from my grandmother and mother. When I was young, I used to watch them paint on the walls of their homes. “We painted images of nature and everything that connects us to the past. We don’t want our cultural values ​​to be lost and lost forever,” he said in the village of Nindra, about 200 kilometers from Jabalpur. Pushham, who lives there, added.

‘Modern Tribal – Connecting Traditions’ (January 28 to February 6) is organized by Delhi-based Gondwana Art Project, a self-sustaining initiative to help develop markets for tribal artists. Born from a collaboration between the Gondwana Art Project and New England. NERAM is a regional art museum located in Armidale, a city in the Northern Tablelands of New South Wales, Australia. “This is the beginning of an ongoing partnership that will allow us to share some of these works back in Australia and to have cultural exchange between Australia and India and Aboriginal and tribal art,” said Rachel from the museum.・Mr. Parsons says. Director of NERA, his first Aboriginal art collection came from a single donor in his early 1990s. “We celebrated the museum’s 40th anniversary last year,” she added.

“This is a beautiful dialogue between Indian work and Australian work. They are not the same, they are both very unique art forms, with different techniques and styles, but at the same time there is a symbiosis and a common There are also points,” explains Parsons, a trained artist turned curator and museum. Administrator. Tribal art in India derives primarily from the Gond, Bir, and Warli traditions, and is the work of artists from Madhya Pradesh and Jharkhand. Sandeep Bhandari, founder of the Gondwana Art Project, said: “When I first saw Australian Aboriginal art at the NERA exhibition, I became intrigued by the similarities between Australian Aboriginal art and our tribal art.” “I was intrigued,” he says.

“There are deep connections between Australian Aboriginal art and Indian tribal art,” says King, who is exhibiting 40 works at the India Art Fair (February 1-4). “It’s interesting how we find our connection to the land and where we come from, even in distant lands. Even though we are far from all over the world, expression is very “There are similarities. Tribal artists in India use dots, patterns and repetition just like we do,” she added. “My father used to say, “Art reflects nature, and nature is based on repetition.” He said he was looking for something.”

Like the Gondwana Art Project, which helps tribal artists across India find markets for their work, Australian Indigenous art is also receiving praise and attention. “The diversity of Australia’s art market means there is an opportunity to steal and capture basically everyone’s imagination,” said King, whose mother was multiculturalism minister for local government in Darwin. He says with a smile. “In the early days it was almost like a handful of bricks building this beautiful masterpiece, but as it spread across not just Australian culture but world culture, that ambition grew in the number of artists and the number of works they created. “I’ve grown in depth and depth in my work. There’s a lot of variety,” she added.

King also feels strongly about the failure of last year’s referendum in Australia to add Indigenous voices to the constitution. “It’s very difficult to be against voting, especially not voting. It broke the hearts and souls of so many people and made them lose hope for Indigenous voices,” she says. “What it does is it uplifts Indigenous peoples, it raises our voices, we have to take the lead, and we call on all of Australia to support us. I think it’s about how we help show that it can’t be done. It has to be indigenously led. It comes from us, it’s done by us, to bring a better future for our people. It has to be built.”