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Chicago —The last time we saw James Bond, he had been blown to smithereens.
Sorry, but “No Time to Die” is already three years old and the statute of limitations for spoilers has expired. Chris Corbould blasted him. He has been trying to blow up 007 since 1977, starting with The Spy Who Loved Me. We met recently at the Museum of Science and Industry in Hyde Park. It features new exhibits of Bond gadgets and Bond vehicles, as well as Bond-centric lessons on physics, technology, deception, and the production of very large explosions. The title is “007 Science: Inventing the World of James Bond”.
Corbould, an Oscar-winning special effects supervisor, brought in Meg Symonds, archive director for EON Productions, the British family business that produces the James Bond films. Simmons’ job is to collect artifacts from Bond works and create a catalog of every work in his one of four warehouse facilities he stores in the London area. One imagines that Simmons pocketed 007’s cufflinks after Corbould blasted James.
She lent it to MSI… Oh James, where do I start? A nuclear suitcase bomb, a fake Fabergé egg, a garden rake that doubles as a metal detector, a flute that doubles as a microphone, a jet pack, bionic eyes, and a leg cast. Rockets, sandals with poison tips.
Remember those stainless steel teeth that Richard “Jaws” Keel wore? They’re here too.
Mr. Simmons told me: “Those teeth were molded by dentists, but it’s too painful to actually wear them for any period of time. Anderson Cooper came to do our 50th anniversary segment and actually wore those teeth. I put it in my mouth. Of course, it hardly fits.”
Eh.
“yes i know.”
Produced as a collaboration between MSI and EON, 007 Science is not only a showcase of incredible silliness, but also, in all seriousness, the exacting standards necessary to create those silliness and the film’s It’s also a reminder of how far-sighted he is. James Bond movies, in particular, were predictive of future technology. In fact, the show features many everyday technologies that Simmons claims were introduced to film audiences through Bond, such as pagers, cell phones, bulletproof vests, and eyeball scanners, but the fictional spy predicted that email He appears alongside H.G. Wells. -Star Trek imagined bombs, genetic engineering, automatic doors, and flat screens, voice-activated technology, flip phones, and tablet computers.
However, ski poles that also functioned as guns did not become popular.
“The ski pole was your first gadget,” Simmons said, to which Corbould responded, “The ski pole was your first gadget.” I started making it when I was just 17 years old. ”
Mr. Corbould won an Academy Award for special effects on Christopher Nolan’s “Inception,” and has worked on Nolan’s “Batman” films, several “Star Wars” films, the original “Superman” series, and The Who. He also worked on special effects for films such as “Tommy.” There are 15 Bond movies. He holds the Guinness World Record for the largest explosion in a movie. He won that honor for his 2008 Bond film, “Quantum of Solace,” and brilliantly broke his own record with the 2015 Bond film, “Spectre.” Among the exhibits was a photo of Badaboom from “Quantum.”
“It’s a great explosion,” Simmons said, examining the image.
“Yes, I think so too,” agreed Mr. Colbor.
He turned to me and said: “When they do Bond, they want it to be as real as possible. Most of it is not CGI. Bond is tied to this table and a drill is about to go through his head, and then he runs away. , there’s a bunch of gas pipes in there — oh, it’s huge — where an explosion starts, exactly like what you see in this photo, and then spreads out all around. And then there’s the two actors in the foreground of the shot. That shot features some 300 separate explosions set off by a computerized detonator, all set to occur at a specific time. but…There’s a three-second delay when you press the button, so I say to Daniel Craig, “Look, don’t put any pressure on me, Daniel, I’m going to press this button before your line ends, so don’t do it ( (expletive) That line. It took months to set this up. On the other hand, we built in contingencies so even if half the explosions didn’t happen, it’s still big. ”
Simmons listened with the proud face of a stage parent, or rather, in this case, a custodian of a relic of a film series dating back to the Kennedy administration.
“I think they needed to put out leaflets to say to the Bedouin nomads who were near that explosion, ‘Okay, this isn’t the beginning of World War III, it’s just the beginning of James Bond.’ she said.
we continued walking.
Among the first big pieces you see is the Aston Martin flipped upside down in “Casino Royale.” In fact, Simmons says: record breaking The number of times is – seven times! ”
As I saw in the MSI gallery, it was in a state of disrepair – deep scratches along the body, caved-in windows and sunroof, smashed headlights – and as I drove down Lake Shore Drive, I saw even worse conditions. I’ve seen it before. “A stuntman came to us,” Colball said. “They tried to flip it without help, but Aston Martins aren’t built to flip, so they built a little piston into the car that the driver could spring with a button. It shot down under the car. It gives you a little bit of a physical advantage, and you get what you see in the movies, where the car rolls over over and over again.”
Simmons said: “When I saw this footage, I thought, “This is where Bond becomes surreal for me. No one else survived that crash, but Bond did.” The problem is, the stunt driver… Of course he survived. The next day at dinner I sat next to him and he looked great.”
Corbould told me that the only time he ever doubted whether he’d be able to pull off a convincing production was when he was making The Dark Knight in Chicago, not for a Bond movie. He had to flip an 18-wheeler over on LaSalle Street. He did it with such precision that his heart stopped. He also directed the explosion that blew up the old Brach candy factory on Cicero Street in the film. He talks about it with such British nonchalance that he makes racing an Aston Martin across a frozen lake in “The Living Daylights” sound like a casual day in the life. He waited three weeks until the ice was thick enough. He has yet to lose a Bond car in a frozen lake. But he’s worried about how he’ll get the out if that happens.
If you look around, it’s clear that there are gadgets for that.
One of the nifty things about this nifty show is that MSI has an array of actual spy props on display. Most of the items were borrowed from the International Spy Museum in Washington, D.C., including a KGB camera, a CIA surveillance recorder, a flask used to smuggle documents, and a shoe sole loaded with a dagger. But what’s really weird is the Bond stuff. Dynamite toothpaste (“Dentonite”), an escape sled that functions as a cello case. “This is the golden gun of the man with the golden gun!” Simmons said. The barrel doubles as a pen, and the trigger is a cufflink. It’s very gold and very flashy.
I asked her if that’s what people around the office call Trump cannons.
“I never thought of that!”
We passed a submarine car. “Elon Musk bought our electric version at auction,” Simmons said. The underwater breathing apparatus we gave so impressed the Royal Engineers that they requested blueprints from the filmmakers. (The art director told them that if you don’t hold your breath long, long, long, it won’t work…)
We stopped at two jetpacks, one vintage and one contemporary.
Along with flying cars, this is the holy grail of technology that has long been coveted.
“So this jetpack,” Simmons said, nodding to the older model, a relic from 1965’s “Thunderball.” It could only store enough fuel for a 21-second flight. ” She sighed as if it were a personal failure. “I still want it though.”
“007 Science: Inventing the World of James Bond”
From now until October 27th
Chicago Museum of Science and Industry
57th Street and DuSable Lake Shore Drive
Timed entry ticket. Visit www.msichicago.org for $18 in addition to museum admission and $35 for special exhibition-only evening hours.
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