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So credit must be given to Hong Kong director Daniel Lee Yang Kong for trying something different with this 2008 film adaptation of one of the novel’s stories.
“Zhao Zilong was undefeated until the Battle of Fengmingshan in his later years,” Li told the Post in 2008. His life reflects the wisdom of his book, “What goes up must come down.” ”
The story is set in the Three Kingdoms period (220-280 AD), a bloody period in Chinese history when the three states of Wei, Shu Han, and Wu were at war. The story begins with Zhao (Lau) and Luo (Hung) becoming friends and joining the Shu army.

Zhao is promoted to great general, but a jealous Luo watches from the sidelines. In the finale, Zhao is placed in a difficult military position by the emperor and is betrayed by his old friend in anger.
Much of that is due to the excellent performance of the grizzled Lau, who brings sensitivity and dignity to the role of the maligned protagonist.
“I was very nervous because it’s such a famous story,” Lau said in an interview at the time. “There are three perspectives on Zhao: the professional knowledge of historians, how ordinary people like us remember Zhao, and his character in popular computer games. I just tried to stay true to the script because I can’t please everyone.”
Lee said he was familiar with the story since he was little because his father used to tell him old stories. Romance of the Three Kingdoms.

The Post reported that Lee was writing a piece of literary analysis about the novel. She said, “If I could only make one movie in my life, Romance of the Three Kingdoms That’s the work I want to make,” the director said..
The film’s action and martial arts scenes were choreographed by Hung, Hong Kong veteran Yuen Tak, and a large supporting team. The combat is modern style with fast cuts and multiple camera shots, but Hun makes sure you can always see individual martial arts moves. The action includes special effects, but they don’t dominate.

It turns out that the actress is more than just a decorative “vase”. She played her role as a warrior very effectively, but it was surprisingly subtle. Although violent, Cao Cao always insists on a fair fight.
“I came to this project as an outsider. I didn’t really understand the history of the project, I didn’t speak the language, I didn’t have any background,” Q said in an interview. “So I had to shut off ‘Maggie’ for a while and really believe that I was this person. It was probably the most difficult movie I’ve ever made.”
God of War (2017)
His interest in combat scenes began at an early age. He once told this journalist that as a boy he enjoyed directing battles with Airfix-branded little soldiers.
Chan was one of the most versatile directors of the 1990s, making some average period fantasy films, including: The four 2000’s movie series. However, he didn’t get the chance to make an epic war epic until his 2017 production. God of War.
The massive Hong Kong-China co-produced film is based on the well-worn story of a Chinese general who defended Zhejiang’s coastline from Japanese pirates in the 16th century.
After being in the creative long grass for more than a decade, Hong Kong director Gordon Chan has bounced back with his next film. god of warone of the strongest films of his career,” Derek Elley, an expert on Asian films and an authority on Hollywood blockbusters, wrote on sino-cinema.com.
“Rather than being fantastical and VFX-driven, it’s thoroughly realistic and well-dialogued. God [of War] You can see that Chan still has some juice left in him,” Ellie added.

The fight scenes, choreographed by Qin Pengfei and experienced action director Kenji Tanigaki, are superbly executed. However, a long historical interlude slows down the film.
god of war The film benefits from the presence of Vincent Chao Wenzhuo, who plays Qi Jiguang, the general who turns the Ming army into a formidable force.
However, Chao’s film career didn’t take off at the time, and he found great success with a TV martial arts series.

Here, at the age of 45, Zhao once again stepped into the spotlight, showing that he could still use the sword well, and even better with his fists.
Chao’s classic kung fu pole fight with Sammo Hung, who plays a supporting role as a failed general early in the film, is one of the film’s highlights. However, this best match will be his last for a long time against Japanese-born veteran actor Yasuaki Kurata. First use a sword, then switch to a dagger or fist.
Like most epic war films made in mainland China, the film has a nationalistic message, pushing the theme of unity among the Chinese people in the face of adversity.

nevertheless, god of war This work is unusual in that it features a traitorous Chinese character among the pirates, and it makes the Japanese pirate leader (a general pretending to be a pirate) played by Kurata an honorable figure.
Featuring the best of Hong Kong cinema, this regular feature series examines the legacy of classic cinema, reevaluates the careers of Hong Kong’s greatest stars, and revisits lesser-known aspects of the beloved film industry. To do.
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