[ad_1]
exclusive: After a heated courtship with Francis Coppola between organizers of the Cannes, Venice and Toronto Film Festivals; megalopolis ” has been fixed for a gala premiere at the Palais on Friday night, May 17th. The film will be premiered in competition at the 77th Cannes Film Festival.
Cannes chief Thierry Frémaux scored the day’s victory on the eve of Thursday’s announcement of the festival’s full schedule. This comes shortly after the concept for the film, which has been incubating with Coppola for 20 years, was first shown to buyers on March 28th at the Universal CityWalk IMAX Theater. Coppola’s longtime lawyer Barry Hirsch is still negotiating to secure a distribution partner for the film. The film is scheduled to be released to audiences in the fall, primarily in IMAX theaters.
The safest bet would have been to premiere the film in Venice, Telluride, or Toronto, but Coppola’s rise to this point as a director and entrepreneur has often resulted in big-money gambles. Body.
Considering Coppola’s directorial pedigree; godfather movie, Apocalypse Now, Conversation, Outsider He invested $120 million of his own money into making this film, so one might imagine that the press would not jump to judgment, but there is considerable information based on sources. There are several.It’s like deja vu apocalypse of hell.
i saw megalopolis Understand why Coppola made it and what his ultimate goal is. Even long after he’s dead, he wants future generations to be interested in the film and ask themselves what will happen to the world 100 years from now and where that will leave its inhabitants. , I’m trying to ask if there’s a better way.
The screening was attended by family friends and filmmakers, including Anjelica Huston, Nicolas Cage, Andy Garcia, Spike Jonze, Al Pacino, Jon Favreau, Colleen Camp, Roger Corman, It included Darren Aronofsky, Kailie Spaeney, and cast members Shia LaBeouf and Talia. Shire. I watched as many people congratulated Coppola with tears in their eyes. Not everyone will like this movie right away, and cynics may be fixated on the movie’s price tag or story. I don’t think Coppola made this movie for them.
It’s not hard to see why the director is so interested in Cannes. While he was funding megalopolis Coppola was in real trouble at the time, when he achieved success through shrewd business deals that carried his vineyard and wine business into the future. apocalypse of hell. At the time, there were many cynics spreading rumors that the movie was getting out of hand and that his career was coming to an end. He took the film to Cannes as a work in progress, where it won the Palme d’Or, was distributed, and became his seminal film.
RELATED: Cannes Palme d’Or winners: Photos from all the festival’s top films throughout the year
Coppola’s new film is packed with ideas that blend past and future, a grand visual allegory that plays perfectly on an Imax screen. He covers a complex subject in his surprisingly short time of 2 hours and 13 minutes, not including credits. An accident destroys a metropolis resembling New York City, which is in decline anyway, resulting in clashing visions of the future. On one side is Cesar (Adam Driver), an ambitious architectural idealist. The other is Mayor Frank Cicero (Giancarlo Esposito), his mortal enemy. The debate is whether to embrace the future and build a utopia with renewable materials, or to adopt a business-as-usual rebuilding strategy full of concrete, corruption, and power brokering, at the expense of a restless underclass. Become. In between their struggles is the mayor’s socialite daughter Julia (Nathalie Emmanuel). Julia is a restless young woman who grew up around power and is tired of tabloid billboards looking for meaning in life.
It’s no coincidence that the name and hairstyle look like they came straight out of the Roman Empire. Coppola, a filmmaker who contracted polio as a child and watched Jonas Salk’s vaccine eradicate the deadly disease, was inspired by the potential of human ingenuity to adapt and overcome most problems. Sending you a big kiss. He also injects a cautionary tale of what can happen when the human spirit to stand things up is challenged by the greed, corruption, and narcissism that helped bring down the Roman Empire. This clash could not be more timely, in an election year and at a time of heightened polarization due to misinformation aimed at spreading an agenda, swaying the public, and influencing policy. .
The film’s notable cast includes Jon Voight, Laurence Fishburne, Aubrey Plaza, Shia LaBeouf, Chloe Fineman, Kathryn Hunter, Dustin Hoffman, D.B. Sweeney, Jason Schwartzman, and Bailey Ives. , Grace Vanderwaal and James Remar. They are all very good at bringing intricate tapestries to life.
The film’s message is that Coppola is betting that humanity will find a path to the greater good through ingenuity and empathy.
[ad_2]
Source link
